With photography, I record my daily activities, such as listening to music, going to movies, shopping, gallery hopping, and chatting. Taking photographs is a necessity in my life. It’s as natural as eating and sleeping.

Starting with canvas board, the artist composes unplanned compositions stemming from his unconscious and his dreams, compositions he often fully visualizes while he sleeps. Often centralized around the motif of the circle—or for Doolittle, the mandala—these visionary acrylic images combine repeated patterning of circles and rectilinear components, resulting in dramatic designs that produce interesting optical effects on the eye.

 STRIKE! mixes boxing matches and contemporary chamber music, with most of the performances taking place in boxing rings. In combining such seemingly disparate genres, the crowd at STRIKE! is unusually diverse. STRIKE! derives much of its fundamental vitality from everyone getting to learn a little about the each other’s “world.” From this odd coupling, STRIKE! creates a space where music has a chance to be seen in the light of explosive engagement—both physical and interpersonal, while boxing is encountered in the light of chamber music.

China is undergoing one of the most dramatic transitions in the history of the world. The acceleration of change echoes throughout our society and beyond our borders. Inevitably the changes result in both stimulation and trauma. The past is disappearing and the present is in constant flux. China is becoming more and more dynamic as Western concepts, ideas, and morals permeate the country. The result is a kind of bipolar culture.

Comprised of works created in different media, this exhibition introduces a new fictional model called “Abissology,” or the science that studies the abyss, which is the result of the artistic practice of the artists. This model is reflected in the fiction they create, which is concerned with the literary composition of a specific science of the bodies, designed accordingly to the phenomenological/ontological condition of the visible minimum, what is almost unseen, and what has almost no existence to a beholder.